The output signal level from a cassette tape head is typically about 500 micro Volt or so at middle audio frequencies for a mono head and about half this level for a stereo type. The preamplifier must, therefore, provide a considerable amount of voltage gain in order to match this to a hi-fi amplifier, since these require a signal level about 1,000 times higher. It is also necessary for the preamplifier to provide equalization, because the output from a tape head rises at a rate of 6dB per octave. However at higher audio frequencies, tape heads are not very efficient and require a much less rolloff.

Q1 and Q2 are used in a conventional two stage, direct coupled, common emitter amplifier and the frequency-selective negative feed-back through C3 and R4 provides the appropriate equalization. These also set the midband voltage gain of the input stage at about 46dB. With such a low input level it is obviously necessary to use low noise transistors (Such as the BC109C) in order to obtain good results. Running Q1 at a low collector Current, about 200uA, also helps.

Q3 is used as a low gain common emitter stage, which provides the additional amplification. R9 introduces negative feedback, which controls the voltage gain of Q3 and the specified value gives a gain of about 14dB. For a stereo unit R9 should be reduced to 390R in order to give increased gain, to compensate for the lower output of a stereo tape head.

When playing a Dolby B encoded cassette SVV1 can be closed; this gives a small degree of treble cut which provides a reasonably flat overall response.